El libro "Creaciones de Cartas Sutiles" de Nick Trost, Vol. 2, incluye un truco llamado "Cartas Magnéticas". Se trata básicamente de un truco de cuatro ases similar al de los Gemelos Géminis. Su descripción del efecto: el mago y un espectador sostienen cada uno una media baraja barajada. El espectador sigue las acciones del mago. Cada uno saca una carta de su media baraja. La frota contra la manga para "magnetizarla". Luego, la coloca boca arriba en sus respectivas medias barajas. Cada media baraja se extiende para mostrar que cada carta "magnética" ha atraído dos ases.
Continúa leyendo "Magnetic cards"Variación de los cortes de espectador a los ases
Estaba experimentando con el “cortar más profundo” método sobre el que escribí aquí Y se me ocurrió una variación. Esta versión tiene un final más limpio, pero requiere un poco más de esfuerzo.
Continúa leyendo "Variation on Spectator Cuts to the Aces"El espectador corta los ases
Esta es una de las tramas clásicas de cartomagia. Tiene muchas variantes. Archivo de conjuros Se enumeran más de 100 entradas al buscar el título. La trama básica consiste en que se invita al espectador a cortar la baraja y, mediante una ingeniosa estrategia, los ases acaban siendo revelados al cortarla. Una de las primeras versiones se publicó en The Royal Road to Card Magic, titulada "Picnic del Jugador de Póker". Esta versión sentó las bases para muchas de las posteriores, con la baraja cortada en cuatro montones sobre la mesa.
Continúa leyendo "Spectator cuts the aces"En las manos controlan cuatro ases
Years ago I came up with a method for cutting the aces into a deck and controlling them to the top. (see https://robertjwallace.com/ace-control/ y https://robertjwallace.com/ace-control-notes/.) That control used cuts to the table to “lose” the aces. I recently decided to modify the principle so it could be done without a table.
Efecto: Hand the spectator four aces. Take the aces one at a time, insert each into the center of the deck, followed by several in-the-hands swing cuts. After the second ace you can show the top and bottom cards. After inserting and cutting the fourth ace, you split the deck in half and give it one riffle shuffle. The aces are then shown on top. (That is a bare bones presentation, once you have the aces on top you could do anything you want. For example you could do an in-the-hands Triumph.)
Continúa leyendo "In the hands four Ace control"One Shuffle Eddie: una producción de cuatro ases
I found this in Marlo’s Magazine Vol. 5. Basically it is a Triumph style production of four face up aces in different locations in the deck. I like that the aces are widely separated in the production.
Continúa leyendo "One Shuffle Eddie – a four ace production"Control directo del as
This is a variation on my Ace control that I described in this post from 2018. The main difference is that this one is more direct, but doesn’t show the top and bottom cards between each ace being lost.
Continúa leyendo "Direct Ace Control"Ensamblaje retorcido
One of the first card tricks that blew me away was the MacDonald Aces. This is the classic ace assembly trick. The downside, of course, is that the trick relies on gimmicked cards. You can read about all of the variations at https://geniimagazine.com/wiki/index.php?title=Ace_Assembly. My version uses two sleights, the Braue Add-on and the Elmsley count.
Continúa leyendo "Twisted Assembly"Súper as de la ortografía
Esta es mi interpretación del Super Ace Speller de Martin Nash del libro “Nash Reloaded”.
Continúa leyendo "Super Ace Speller"El espectador pasa a los ases
Here is a simple “Spectator cuts to the aces” trick.
Start by getting the four aces to the top of the deck. I let the spectator shuffle the deck and then use my two step cull to accomplish this. You could also just start by already having the aces on top before you begin.
Continúa leyendo "Spectator cuts to the aces"Control de cuatro ases
There are several methods I use for “losing” the aces into a deck of cards and controlling them to the top. Several involve cutting the deck into four piles and losing the aces, one in each pile. One day I was looking at some magic sites preview videos and saw a different method that I thought looked good. So I deconstructed the performance, figuring out what the magician had done. While I can’t be certain that this is the same method, I think it is close.
Continúa leyendo "Four ace control"