Ace Control notes

The following table shows the movements of the aces during the Ace Control.  The first column assigns a number to the 52 cards from the top card, 1, down to 52.  Since the aces begin out of the deck, they are numbers 49, 50, 51, and 52.  Reading the other columns from left to right show what happens as each ace is inserted into the middle of the deck and then the cuts are made.

The column labeled "First Ace" shows the ace being inserted at location 26 in the deck.  The next column, "After Cut" shows that that ace has move to location 2, etc.

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Ace Control

This is my own ace control. It looks very fair, with each ace being inserted into the deck and the deck cut several times. Between each ace insertion the top and bottom cards can be shown. After inserting the aces and cutting, the deck is shuffled once and then all four aces are back on top.

The left hand column describes the cutting actions, the right hand column shows photos and adds more detail. There is a video at the bottom of this post showing the action.

Begin with the four aces face up on the table.

Photo 1.

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Substitutes for the Pass

This is not a post arguing for or against learning how to perform a classic pass, or turnover pass or any of the other passes.  Learning to perform a pass is a good exercise to undertake, in part because learning to do a pass is also learning about misdirection and audience management.

But often it is just as mystifying to an audience to use a substitute for a pass, probably the most common one in use today is a double undercut.  But I remember one that I learned back when I first got into card magic.  It was from one of Blackstones books and was named the "Roly Poly Pass" as I recall.  It was basically a fancy cut of of the cards.  You can see it in my practice video below.

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One handed 4 way cut

I first wrote this up in some lecture notes in 2001.  I figure it is time to get it online.

On one of my business trips to San Diego, I visited Brad Burt's Magic shop.  Brad showed my a one-handed multiple cut that he had worked out by studying a classic Houdini poster. Later on an airplane home I played around with multiple one-handed cuts and came up with this one.  It is a four way cut.  The criteria I gave myself was that it had to be a true cut with each of the four packets ending in a different position.  You can see a video of the cut below the tutorial.

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False cut #4 – Stepladder cut

I worked on this cut and then, not surprisingly found it described elsewhere in a magic book.  I call my version the stepladder cut because it seems similar to the up-the-ladder cut, but with only one step.  Here is a video of my practicing the cut at Starbucks (and yes I spend too much time at Starbucks.)

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False cut #1 – Drawn and quartered

For "walk-around" magic I wanted to be able to do some in-the-hands false cuts.  Drawn and quartered is one that I developed.  Its name comes from two aspects, first is that the cut involves four packets, the second is my last name "Wallace".  (William Wallace, a Scot rebel, was drawn and quartered by the English.)

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Finding the Aces with Erdnase

This is an effect that I use to practice the Erdnase system of cull shuffling.

Effect:  The performer shuffles a deck of cards and then has the spectator shuffle them as well.  The performer then takes the deck back and ribbon spreads the deck face up on the table, remarking that the deck is now well shuffled as the spectator can see.

Picking up the deck the performer give the deck another shuffle, overhand shuffling the cards.

Then explaining how card sharps always need to find some good cards for their hand, the performer turns over the top four cards, revealing the Aces.

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Two step cull

Culling cards is the process of spreading a deck of card between the hands, and while spreading them moving one or more cards to the top or bottom of the deck. It is a very powerful tool. The Conjuring Archive lists almost 300 references to books and article on the technique.

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