{"id":5350,"date":"2021-08-18T14:12:49","date_gmt":"2021-08-18T14:12:49","guid":{"rendered":"https:\/\/robertjwallace.com\/?p=5350"},"modified":"2021-08-27T19:57:27","modified_gmt":"2021-08-27T19:57:27","slug":"doubly-ambitious","status":"publish","type":"post","link":"https:\/\/robertjwallace.com\/es\/doubly-ambitious\/","title":{"rendered":"Doblemente ambicioso"},"content":{"rendered":"<p>Esta es una rutina ambiciosa de dos cartas, muy dif\u00edcil de realizar. Se basa en una transposici\u00f3n de dos cartas que realizo.<\/p>\n\n\n\n<p>Fase uno: Idealmente, comience con las cartas contrastantes, la segunda y la tercera empezando por arriba. Para esta explicaci\u00f3n, usar\u00e9 el Dos de Diamantes y el Rey de Picas, con el dos en la segunda empezando por arriba.<\/p>\n\n\n\n<!--more-->\n\n\n\n<p>Do a double lift, flipping two cards as one over face up on top of the deck to display the two of diamonds.  Ask the audience to  remember the card.  Flip the double back face down and deal the top, indifferent, card to the table.  I do a two card push off with my left thumb as I place the indifferent card to the table in order to take a break under the top two cards of the deck.<\/p>\n\n\n\n<p>Now repeat the double lift and flip of the top two cards to display the <meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\">King of Spades on top the the deck. I tell the spectators to remember that the two is on the table, and the king is on the top of the deck.<\/p>\n\n\n\n<p>Flip the double back face down, and deal it to the table, to the left of the card there.  Pick up the first card dealt with your right hand, and as you do, push off the top card of the deck with your left thumb and pull it back to take a break under it with your left little finger.<\/p>\n\n\n\n<p>Now place the card in your right hand on top of the deck, keeping the break.  Tell the audience to remember that the two is on the table, and the king is on the deck.  Then ask them where the two is.  Usually they will point to the top of the deck.  Smile and as you say \u00a8<meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\">remember that the two is on the table, and the king is on the deck\u00a8, perform a double lift, flipping the top two cards over to show the king, but keep a break under them.<\/p>\n\n\n\n<p>Now with your right hand, turn over the tabled card to show the two.  You could stop here, having done a nice two card transposition.<\/p>\n\n\n\n<p>Phase two.  Situation check, you should be holding a break under two face up cards on top of the deck. With your right hand pick up the tabled two, turning it face down.  Do Marlo\u00b4s <a href=\"https:\/\/ambitiouswithcards.com\/card-sleights\/marlo-tilt\/\" target=\"_blank\" rel=\"noreferrer noopener\">Tilt illusion<\/a>, apparently burying the two into the center of the deck, but actually placing it third from the top.  <\/p>\n\n\n\n<p>Now flip over the double face down onto the top of the deck.  Take the top indifferent card and simulating the same actions as the Marlo Tilt, bury that card into the center of the deck. <\/p>\n\n\n\n<p>Relax slightly as if the trick were over, and as you do take a break under the top three cards.  This is probably the most difficult thing to do in this effect.  I do a three card push off with my left thumb as my right hand comes back to the deck to square it up.  My right thumb holds the top three cards stationary as my left hand lets the rear of the deck drop down slightly so my left little finger can take the break.<\/p>\n\n\n\n<p>Flip the triple over, but keep the break as you do.  I do the Altman Trap to do this. This method of regaining a break was created by Art Altman and first described in Ed Marlo&#8217;s&nbsp;<em><a href=\"http:\/\/askalexander.org\/display\/11035\/Advanced+Fingertip+Control\/153\" target=\"_blank\" rel=\"noreferrer noopener\">Advanced Fingertip Control<\/a><\/em>.  Say to the audience, &#8220;here, I&#8217;ll show that to you again.&#8221; Mention the name of the face up card.<\/p>\n\n\n\n<p>Flip the triple face down, but as you do you take a new break under the top face down card (the fourth card down).  Here is how I do it.  My right hand comes over to the face up triple and grasps the three cards between my right thumb (on top) and my first and middle fingers underneath.  Gripping the cards tightly to keep them in alignment.   As I pull the triple to the right, starting to flip if over, my left thumb pushes the face down card to the right slightly and then pulls it back as my left little finger pushes the card up and takes the break.<\/p>\n\n\n\n<p>Keeping the break deal the top card face down to the table, and then come back and flip another triple over to show another face up card.  Do the Altman Trap to keep the break as you do.  Name the face up card, and then flip the double over and deal the top card down to the left of the other card on the table.<\/p>\n\n\n\n<p>Now, unbeknownst to the audience the cards on the table are the <meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\">Two of Diamonds and the <meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\">King of Spades, which they believe were lost in the deck.  Take the card on the right and place it face down on top of the deck.  Tell the audience &#8220;Remember the King of Spades is on top and the <meta http-equiv=\"content-type\" content=\"text\/html; charset=utf-8\">Two of Diamonds is on the table&#8221; and then flip the top card face up and turn the tabled card face up, to show that those cards have returned from being lost in the deck.<\/p>","protected":false},"excerpt":{"rendered":"<p>This is a two card ambitious like routine that is very difficult to do. It is based off a two card transposition that I do. Phase one: Ideally start with contrasting cards second and third from the top of the deck. For this explanation I\u00b4ll use the Two of Diamonds and the king of spades, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/robertjwallace.com\/es\/doubly-ambitious\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> &#8220;Doubly Ambitious&#8221;<\/span><\/a><\/p>","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_eb_attr":"","footnotes":""},"categories":[7,142],"tags":[],"class_list":["post-5350","post","type-post","status-publish","format-standard","hentry","category-magic","category-tricks"],"featured_image_src":null,"featured_image_src_square":null,"author_info":{"display_name":"Bob","author_link":"https:\/\/robertjwallace.com\/es\/author\/admin\/"},"_links":{"self":[{"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/posts\/5350","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/comments?post=5350"}],"version-history":[{"count":4,"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/posts\/5350\/revisions"}],"predecessor-version":[{"id":5357,"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/posts\/5350\/revisions\/5357"}],"wp:attachment":[{"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/media?parent=5350"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/categories?post=5350"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/robertjwallace.com\/es\/wp-json\/wp\/v2\/tags?post=5350"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}