Esto es algo con lo que estoy jugando, tratando de encontrar la combinaci\u00f3n correcta de trucos.<\/p>\n\n\n\n
El espectador baraja la baraja. El artista muestra las caras de las cartas y comenta lo bien mezcladas que est\u00e1n. Luego, baraja un par de veces para mezclarlas a\u00fan m\u00e1s.<\/p>\n\n\n\n
Luego, el artista muestra las dos primeras cartas de la baraja, volte\u00e1ndolas boca arriba. A continuaci\u00f3n, muestra las \u00faltimas cartas volte\u00e1ndolas boca arriba sobre las dos primeras. Luego, volteando la baraja boca abajo, el artista mueve la mano sobre ella y aparece un as boca arriba.<\/p>\n\n\n\n\n\n\n\n
The performer shows the top and bottom cards again, and produces another ace by waving the hand over the deck.<\/p>\n\n\n\n
This is repeated two more times so that all four aces are produced.
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In a nut shell, use the two-step cull to get the aces on top of the deck. Follow up with another shuffle to add two indifferent cards on top of the aces.<\/p>\n\n\n\n
Now the aces can be produced using two techniques.<\/p>\n\n\n\n
Technique one is a one handed top palm. Flip the top two indifferent cards face up and as you display them get a break under to first face down card, an ace. Now pick up all three cards in the right hand and flip the deck over face up on top of them to show the bottom cards. The situation is the entire deck is face up except the bottom card, an ace.<\/p>\n\n\n\n
Shift the left hand grip to a mechanics grip, with the deck still face up and the left hand palm down. Turn you right hand plam up and point to it with the left first finger, saying “Nothing in my right hand.”<\/p>\n\n\n\n
Now you are going to palm the ace into the right hand as you turn both hands over. Place the pad of your right little finger onto what will be the right outer corner of the deck when the deck is face down. Now rotate both hands. The left hand turns palm up as the right hand turns palm down. <\/p>\n\n\n\n
Timed correctly the right hand will completely cover the face up ace, and by pushing the ace forward slightly with the right little finger, the ace will spring up into palm position and the right hand can move to the right.<\/p>\n\n\n\n
Now bring the right hand back to the left, past the deck and then waving it back to the right leave the palmed card on top of the deck, producing the first ace. Note that as you move the right hand back and forth over the deck, the decks corners can be used to hold the palmed card in place in the right hand.<\/p>\n\n\n\n
Technique two is an Erdnase color change. Again, start by flipping the top two cards face up on the top of the deck. As you do so get a break under the third card, an ace. You are now going to load the ace between those top two cards. There are two ways I use to do this. One is to hold the three cards in a Biddle grip. Lift the cards with the right hand and use the left thumb to slide the top face up card to the left onto the deck, but maintaining a break between it and the deck. Now place the other two cards, which look like one, side jogged on top of the first card. Then flip all three cards over on top of the deck, which is easy to do because of the break. <\/p>\n\n\n\n
You now have, from the top down, a face down indifferent card, a face up ace, and a face down indifferent card. <\/p>\n\n\n\n
Holding the deck in mechanics grip, rotate your left hand and turn the deck face up showing the bottom card. Turn you right hand face up, showing it empty. Simulate the hand motions of the first technique and both hands rotate, but do not palm the top card. Move the right hand, palm down to the right so the spectators can see the top of the deck. Then causally flash your right palm showing nothing in it. Then perform the Erdnase Color Change to produce the second ace.
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Produce the last two aces using the same techniques. I sometimes do the techniques in the same order: one handed top palm, and then the Erdnase change. Sometimes I switch the order. I am still playing around looking for other techniques to produce the last two aces.
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This is something that I am playing around with, trying to find the right combination of sleights. Effect: Spectator shuffles the deck. The performer shows the faces of the cards and comments on how well mixed they are. The performer then does a couple of shuffles to further mix up the cards. Then the performer … <\/p>\n